“Art, an enduring record of man’s emotional response to his existence…the communication of emotion rather than of information.”— Peter Hurd, Artist1
It’s been a while since my last blog. Not so much because there was nothing to write about in the turbulent aftermath of Donald Trump’s election and subsequent inauguration as our President, but more because events have occurred so rapidly that it has been hard to stay up with them either intellectually or emotionally. I have left it to others to put their words on paper (or computer or video) to describe and dissect the immediate events as they have occurred this past year. I think all of us, regardless of our political leanings, felt beset by the almost daily revelations of scandal, bigotry, racial slurs, personal attacks on individuals or entire groups (Democrats, Republicans, Muslims, Blacks, etc), abrupt changes in leadership and policy directions, “fake news”, lies and distortions, etc.—much of which has been fueled by incessant tweets and incendiary remarks by the President. I for one have felt helpless wondering what if anything I could do that would be more constructive in trying to participate in today’s political discourses and debate.
As an artist I have tried to find the answer in my art—to paraphrase Peter Hurd, by communicating emotion rather than simply information. With that in mind I am using this forum to present three recent pieces of my art that, hopefully, convey a sense of the emotions and concerns felt not only by myself but many of us that reside in the southern regions near our border with Mexico. Continue reading →
Like many of us who supported Hillary Clinton, I am in a bit of shock that our country has chosen to elect a man so totally unqualified—morally, intellectually, and experientially—as Donald Trump. Yet the votes have been cast; and while he lost the popular vote by over a million votes, he won the electoral vote—the only one that counted. Despite early warnings of problems—the ever-growing and large, raucous Trump rallies; Russians all but indicted in hacking many of our national political organizations; the incessant drumbeat of Wikileaks’ releases of meaningless political insider emails; and a cowering FBI Director prematurely revealing the discovery of a “new trove of emails” ten days before the election that turned out to be mostly copies of already analyzed material—most of us were lulled by the pundits and pollsters who showed that Hillary would most certainly win, possibly by a landslide. Even the exit polls, run by the same media and pollsters, all but confirmed the certainty of Hillary’s success.
And then the votes actually started to be counted. The shock to more than half of us hit like a bomb; euphoria to the rest began to set in. Apparently, change, at whatever cost, driven by anger and hatred of those often left out of the political equations of the past, overpowered reason, deliberation and thoughtful governance proposed by Hillary.
In 1925 Adolph Hitler’s Mein Kampfwas first published and outlined in vivid detail Hitler’s philosophies and plans for world denomination. As noted by famed author William L. Shirer in his epoch treatise, The Rise and Fall of the Third Reich, “The blueprint of the Third Reich and, what is more, of the barbaric New Order which Hitler inflicted on conquered Europe in the triumphant years between 1939 and 1945 is set down in all its appalling crudity at great length and in detail between the covers of this revealing book.” Hitler’s racist views on Jews and non-Aryans, their “treacherous acts” against German society and the need for what became the “final solution” were clearly outlined for all to see, assuming they were able to work their way through this rather ponderous and tedious book. While history and the Allied armies of World War II ultimately rebuked Hitler’s attempts at a new world order under laid by nationalistic and nihilistic racism, unfortunately, we continue to face ongoing assaults on our basic liberties and freedoms both within and outside of our country. Continue reading →